- India’s first AI-generated Gujarati feature film enters the spotlight with a paranormal-thriller promise
- White Screen Motion Pictures, GoSkripto & Matrix Studio join hands to take Gujarati cinema into the AI era
- Human storytelling meets AI-generated visuals in an ambitious theatrical experiment
- Chetan Chauhan directs; Kuunal Shah serves as Creative Director; teaser promises an unconventional cinematic experience
NE ENTERTAINMENT BUREAU
The question is no longer whether Artificial Intelligence can write a story. Gujarati cinema is now asking a far more intriguing question: Can AI create the visual world of a feature film and still make audiences laugh, wonder, fear and feel?
That experiment has taken a distinctly Gujarati turn with the teaser launch of ‘The Iskoon Bridge’, billed by its makers as India’s first AI-generated Gujarati feature film.
Presented by White Screen Motion Pictures, GoSkripto and Matrix Studio, the film ventures into the paranormal-thriller space while placing generative AI at the heart of its visual storytelling. Earlier announcements around the project said the story, screenplay and music would retain the human creative touch, while the visuals and video would be generated through AI.
A Gujarati story enters an AI universe
The choice of Gujarati is itself central to the project.
Director Chetan Chauhan had earlier explained the decision to make the film in Gujarati despite having the option of Hindi, saying: “We had an option for Hindi language but we decided to choose Gujarati as being a Gujarati we want to bring a proud moment to our own people in our language.”
That language-first approach gives the experiment an interesting cultural dimension. Rather than using AI merely as a technological novelty, the makers are attempting to combine emerging visual technology with a distinctly Gujarati cinematic identity.
Creative Director Kuunal Shah had also said audiences would be surprised to see AI avatars speaking fluent Gujarati, while describing the film as an interesting paranormal-thriller subject and expressing confidence about its theatrical experience.
Where human imagination meets machine-generated visuals
The project brings together filmmaker Chetan Chauhan, Creative Director Kuunal Shah, and the technology expertise of GoSkripto, whose Go2V visual-content model was identified in the project’s earlier announcement as the AI technology being used for the film.
The film’s creative credits further underline the human team behind the technological experiment:
Written & Directed: Chetan Chauhan
Creative Director: Kuunal Shah
Music: Vivek Bhardwaj Chhetri
Editor: Ankit Gadhvi
Screenplay & Dialogues: Vrunda Buch
Sound Design: Avinash Sonvane
The teaser therefore arrives with a larger question attached to it: Will audiences see AI merely as the machinery behind the images—or as a new cinematic language?
A thriller with a technological twist
The choice of a paranormal thriller could prove particularly significant for an AI-driven visual experiment. The genre naturally demands atmospheric environments, uncanny imagery, suspense and visual situations that can stretch beyond conventional production techniques.
Earlier project material described The Iskoon Bridge specifically as a paranormal thriller and said the production alliance involved GoSkripto, White Screen Motion Pictures and Thinkink Picturez.
Now, with the teaser out, the film moves from an intriguing technology announcement towards the much tougher test of audience imagination and theatrical engagement.
For Gujarati cinema, the project also represents an unusual meeting point between regional-language storytelling and rapidly evolving generative-AI filmmaking tools.
From experiment to theatrical experience
The real verdict on the experiment will ultimately come from viewers. Can AI-generated visuals sustain a feature-length narrative? Can digital characters carry emotional weight? Can technology enhance suspense without overpowering the story? And, most importantly, can audiences forget the technology for a few hours and simply get immersed in the film?
The Iskoon Bridge is now placing those questions before Gujarati moviegoers.
If the teaser is the doorway, the feature film could become a much larger conversation about where Gujarati cinema—and Indian cinema—goes when human storytelling meets machine-assisted visual imagination.
